I devote a lot of electronic ink to the online copywriting experience, but rest assured that print marketing is not dead. I field plenty of requests to write content for trifold brochures, onesheets, flyers, direct mail, newsletters, door hangers -- if it involves applying ink to processed tree pulp, I've probably written for it. And just as effective web writing has its own set of rules, you can apply certain techniques and ways of thinking toward improving your print marketing content. Here are some things to keep in mind the next time you're faced with the proverbial blank page.
Thinking Collaboratively - The most effective print marketing pieces rely on an equal creative partnership between the copywriter and the graphic designer. Some items will naturally begin life as an arresting image, while others will take their cue from a grabby opening statement or final tag line. I've gotten writing ideas a designer's initial sketches, just as designers have built their visual approaches around my first drafts. Ideally, both of these individuals are working together from the beginning to create a piece that works on both levels to create an integrated expression of your message.
Painting a Picture - When you're writing for a brochure, onesheet or other print marketing piece, you find out in a big hurry that less is indeed more in the wonderful world of marketing copy. You've got to keep in mind that big chunks of the final product will be filled up with photos, charts, logos and other illustrations. Your writing must not only make make room for these aspects of design; it must acknowledge and enhance them. The last thing a mailer or other space-challenged piece needs is a wall of text in a microscopic font. Think about those TV ads that have the big mess of fine print shoved into the bottom of the screen. Ever wonder what all that stuff says? Me neither.
Breaking It Down - No matter how much or how little text your print marketing piece can accommodate, solid blocks of it create unnecessary eyestrain (and brain strain) for the reader, especially in today's "absorb it a glance or toss it" world. If the copy lends itself to subdivision, break it down into bulleted lists, statements or short paragraphs. This practice not only helps readers zoom in on the information that rocks their world the hardest, but it also adds visual variety to the layout and gives the graphic designer more options for positioning the text in clever ways.
Keep in mind that different print marketing formats will call for a different mix of information and "sizzle." While a brochure can offer a leisurely guided tour toward a final call to action, a mailer may have to nail the reader from the outset with an arresting image and/or phrase. Whatever your needs, an experienced marketing copywriter, preferably one who is used to working with graphic designers, can help you choose those words as wisely as possible. If if you feel you could use that kind of expertise -- well, you know what to do!
